127 bars of 4/4 at 134 BPM, about 3:47 of playing, on ride, hi-hat, snare, mid tom, kick and hi-hat foot.
33 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-32 and ride through bars 33-127.
The beat the song is built on is a 2-bar phrase, played through bars 1-32, 41-64 and 72-95, and 1 more place -- 69% of every bar the kit plays. Learn that one and the song is very nearly finished.
1 2
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |------o-x-------|----------------|
SD |----------------|------------x---|
T2 |----------------|------------x---|
BD |----------------|------x-x-------|
HF |x-x-x-----x-x-x-|--x---x-x-x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
33 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 12 out of 100; the rest of the number is everything around it.
127 bars, about 3:47 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 25 minutes each.
ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.