120 bars of 4/4 at 152 BPM, about 3:09 of playing, on crash, snare, floor tom and hi-hat foot.
20 out of 100: straightforward, and the one thing to watch is how many notes a second it asks for.
The time is kept on the toms the whole way through.
The beat the song is built on is a 2-bar phrase, played through bars 9-11, 13-16 and 37, and 10 more places -- 25.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 10
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
SD |----x-------x---|----x-------x---|
FT |x-x---x---x---x-|--x---x-x-x-x-x-|6 fills to learn, played 10 times: bars 12, 44, 52, 60, 68, 76 and 4 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
20 out of 100: straightforward, and the one thing to watch is how many notes a second it asks for. The beat itself is 10 out of 100; the rest of the number is everything around it.
120 bars, about 3:09 at the written tempo. The course breaks it into 34 exercises over 7 sittings, about 29 minutes each.
crash, snare, floor tom and hi-hat foot. Nothing in the part asks for anything else.
6 fills to learn, played 10 times: bars 12, 44, 52, 60, 68, 76 and 4 more.