105 bars of 4/4 at a walking 87 BPM, 4:48 of playing, on ride, hi-hat, snare, kick and hi-hat foot.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-34, silence through bars 35-36, hi-hat through bars 37-41, ride through bars 42-55 and silence through bars 56-59, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 42-55, 60-63 and 72-87, and 1 more place -- 58.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
42
1e+a2e+a3e+a4e+a
RD |--g-X-g-X-g-X-g-|
SD |xx--X--X-X--X---|
BD |--xx------xx-xx-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
105 bars, about 4:48 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 22 minutes each.
ride, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.