113 bars of 4/4 at 124 BPM, about 3:39 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-37, silence through bars 38-44, hi-hat through bars 45-85, silence through bars 86-88 and toms through bars 89-96, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 5-12, 45-52 and 69-76, and 1 more place -- 31.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |----x---x---x---|
BD |x---------x---x-|2 fills to learn, played 7 times: bars 4, 44, 56, 60, 64, 66 and 1 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
113 bars, about 3:39 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 7 times: bars 4, 44, 56, 60, 64, 66 and 1 more.