92 bars of 4/4 at a walking 88 BPM, 4:11 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4 and hi-hat through bars 5-92.
The beat the song is built on is one bar, played through bars 53-60 and 77-91 -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
54
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x---------x-----|2 fills to learn, played 3 times: bars 52, 76 and 92.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
92 bars, about 4:11 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 22 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 52, 76 and 92.