149 bars of 4/4 at 112 BPM, about 5:19 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, kick and crashes through bars 5-29, hi-hat through bars 30-40, ride through bars 41-44, hi-hat through bars 45-56 and kick and crashes through bars 57-74, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 45-51, 53-55 and 119-124, and 3 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
50
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--------x-------|
BD |x-x---x---------|12 fills to learn, played 15 times: bars 40, 44, 52, 56, 57, 58 and 9 more.
It cuts the song into 49 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
149 bars, about 5:19 at the written tempo. The course breaks it into 49 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 15 times: bars 40, 44, 52, 56, 57, 58 and 9 more.