120 bars of 4/4 at 131 BPM, about 3:40 of playing, on crash, hi-hat, snare and kick.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-18, hi-hat through bars 19-55, silence through bars 56-58, snare through bars 59-62 and hi-hat through bars 63-120.
The beat the song is built on is one bar, played through bars 35-41, 43-49 and 51-53, and 4 more places -- 69.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
51
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-x---x---x-----|6 fills to learn, played 10 times: bars 34, 42, 50, 54, 62, 70 and 4 more.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
120 bars, about 3:40 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
6 fills to learn, played 10 times: bars 34, 42, 50, 54, 62, 70 and 4 more.