133 bars of 4/4 at a walking 82 BPM, 6:28 of playing, on crash, hi-hat, snare, mid tom and kick.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-113, snare through bars 114-116, kick and crashes through bars 117-122 and hi-hat through bars 123-133.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 40 more places -- 35.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
11
1...............2...............3...............4...............
HH |o-------o-------o-------o-------o-------o-------o-------o-------|
SD |----------------x-------------------------------x---------------|
BD |x-------x-----------------------x-------x-----------------------|8 fills to learn, played 14 times: bars 26, 30, 52, 54, 68, 80 and 8 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
82 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
133 bars, about 6:28 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
8 fills to learn, played 14 times: bars 26, 30, 52, 54, 68, 80 and 8 more.