151 bars at 180 BPM -- fast, and 3:21 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
48 out of 100, a step up from a first song, and the work is in how many notes a second it asks for.
silence through bars 1-4, toms through bars 5-20, hi-hat through bars 21-27, toms through bars 28-46, hi-hat through bars 47-53 and toms through bars 54-57, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 21-27 and 47-53 -- 10.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22
1e+a2e+a3e+a4e+a
HH |o-o-o---o-o-o---|
SD |----x-------x---|
BD |x-x-----x-x-----|9 fills to learn, played 19 times: bars 14, 16, 18, 20, 28, 40 and 13 more.
It cuts the song into 47 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
48 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 48 out of 100; the rest of the number is everything around it.
151 bars, about 3:21 at the written tempo. The course breaks it into 47 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 19 times: bars 14, 16, 18, 20, 28, 40 and 13 more.