207 bars of 4/4 at 140 BPM, about 5:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-10, snare through bars 11-17, silence through bars 18-19, hi-hat through bars 20-29, snare through bars 30-34 and hi-hat through bars 35-38, and 20 more changes after that.
The beat the song is built on is one bar, played through bars 21, 25 and 105, and 10 more places -- 7.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
167
1.....2.....3.....4.....
CC |x-----x-----x-----x-----|
SD |------------x-----------|
BD |----x---x---------------|6 fills to learn, played 20 times: bars 48, 50, 73, 74, 75, 76 and 14 more.
It cuts the song into 54 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
207 bars, about 5:49 at the written tempo. The course breaks it into 54 exercises over 21 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 20 times: bars 48, 50, 73, 74, 75, 76 and 14 more.