106 bars of 4/4 at 145 BPM, about 2:55 of playing, on crash, hi-hat, snare, mid tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-15, snare through bars 16-33, silence through bars 34-41, snare through bars 42-66, silence through bars 67-73 and snare through bars 74-106.
The beat the song is built on is one bar, played through bars 22, 26 and 28, and 15 more places -- 28.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
26
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-------x-------|8 fills to learn, played 21 times: bars 20, 29, 41, 45, 54, 58 and 15 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 37 out of 100; the rest of the number is everything around it.
106 bars, about 2:55 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
8 fills to learn, played 21 times: bars 20, 29, 41, 45, 54, 58 and 15 more.