377 bars of 4/4 at a walking 84 BPM, 17:56 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-6, hi-hat through bars 7-21, silence through bars 22-32, hi-hat through bars 33-113, kick and crashes through bars 114-121 and hi-hat through bars 122-143, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 241-242, 244-246 and 248-250, and 31 more places -- 25.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
241
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |x-x-x-x-x-x-x---|
SD |----x-------x---|
BD |x---x---x---x---|
HF |x-------x-----x-|2 fills to learn, played 18 times: bars 136, 137, 240, 264, 268, 276 and 12 more.
It cuts the song into 83 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
377 bars, about 17:56 at the written tempo. The course breaks it into 83 exercises over 22 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 18 times: bars 136, 137, 240, 264, 268, 276 and 12 more.