100 bars at 166 BPM -- fast, and 2:25 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bars 1-22, ride through bars 23-28, snare through bars 29-30, ride through bars 31-36, hi-hat through bars 37-50 and silence through bars 51-54, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 23-26, 31-32 and 55-58, and 3 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |----x--x----x---|
BD |x---------x-----|3 fills to learn, played 7 times: bars 20, 22, 30, 54, 62, 86 and 1 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
166 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 42 out of 100; the rest of the number is everything around it.
100 bars, about 2:25 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 20, 22, 30, 54, 62, 86 and 1 more.