103 bars, 6:26, at 64 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, kick and hi-hat foot and nothing else.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-10, snare through bars 11-14, hi-hat through bars 15-21, snare through bars 22-30, hi-hat through bars 31-37 and snare through bars 38-54, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 15-21, 23-37 and 39-54, and 1 more place -- 59.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
25
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-x---x-x-x---x-|1 fill to learn, played 1 time: bar 70.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
64 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
103 bars, about 6:26 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 23 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
1 fill to learn, played 1 time: bar 70.