67 bars of 4/4 at 110 BPM, about 2:26 of playing, on high tom, mid tom and floor tom.
17 out of 100: straightforward, and the one thing to watch is how much of it falls off the beat.
toms through bars 2-38, silence through bars 39-44 and toms through bars 45-67.
The beat the song is built on is one bar, played through bars 2, 4 and 7-8, and 18 more places -- 38.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
4
1e+a2e+a3e+a4e+a
T2 |x-------x-------|
FT |x-----x-x-----xx|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
17 out of 100: straightforward, and the one thing to watch is how much of it falls off the beat. The beat itself is 5 out of 100; the rest of the number is everything around it.
67 bars, about 2:26 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 24 minutes each.
high tom, mid tom and floor tom. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.