187 bars at 190 BPM -- fast, and 3:56 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-24, hi-hat through bars 25-55, toms through bars 56-59, hi-hat through bars 60-139, snare through bars 140-147 and hi-hat through bars 148-155, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 92-97, 124-129 and 156-162, and 1 more place -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
157
1e+a2e+a3e+a4e+a
CC |X---X---X---X---|
SD |----x-------x---|
BD |x-x-----x-x-----|20 fills to learn, played 38 times: bars 35, 43, 50, 51, 55, 56 and 32 more.
It cuts the song into 73 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
187 bars, about 3:56 at the written tempo. The course breaks it into 73 exercises over 20 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 38 times: bars 35, 43, 50, 51, 55, 56 and 32 more.