114 bars at 211 BPM -- fast, and 2:24 of it without a break -- on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
76 out of 100: demanding, mostly on how many notes a second it asks for.
snare through bars 1-8, ride through bars 9-24, hi-hat through bars 25-32, ride through bars 33-36, snare through bars 37-44 and ride through bars 45-54, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 9-16, 45-52 and 98-101 -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |----x---x---x---|
SD |--------x-------|
BD |xxxxxxxxxxxxxxxx|7 fills to learn, played 13 times: bars 2, 4, 6, 20, 38, 40 and 7 more.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
211 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
76 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 58 out of 100; the rest of the number is everything around it.
114 bars, about 2:24 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 2, 4, 6, 20, 38, 40 and 7 more.