79 bars of 4/4 at 150 BPM, about 2:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
87 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
hi-hat through bars 1-10, silence through bars 11-13, hi-hat through bars 14-17, ride through bars 18-25, hi-hat through bars 26-29 and ride through bars 30-37, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 42-49 and 52-59 -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
42
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |-x-x-x-x-x-x-x-x|
SD |x-x-x-x-x-x-x-x-|
BD |-x-x-x-x-x-x-x-x|3 fills to learn, played 7 times: bars 13, 41, 50, 51, 60, 61 and 1 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
87 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 82 out of 100; the rest of the number is everything around it.
79 bars, about 2:07 at the written tempo. The course breaks it into 26 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 13, 41, 50, 51, 60, 61 and 1 more.