158 bars of 4/4 at 152 BPM, about 4:09 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-8, hi-hat through bars 9-57, silence through bars 58-61, hi-hat through bars 62-94, ride through bars 95-117 and hi-hat through bars 118-150, and 1 more change after that.
The beat the song is built on is one bar, played through bars 42-44, 46-48 and 50-52, and 13 more places -- 32.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
43
1e+a2e+a3e+a4e+a
HH |--o---o---o---o-|
SD |----------x-----|
BD |x---x-x---------|4 fills to learn, played 6 times: bars 86, 94, 102, 134, 146 and 150.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
158 bars, about 4:09 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 86, 94, 102, 134, 146 and 150.