108 bars at 222 BPM -- fast, and 1:57 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on how many notes a second it asks for.
snare through bars 1-2, silence through bars 3-6, hi-hat through bars 7-106 and snare through bars 107-108.
The beat the song is built on is one bar, played through bars 7-17, 19-20 and 23-24, and 5 more places -- 34.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---x---x---x---|5 fills to learn, played 7 times: bars 1, 5, 35, 43, 91, 99 and 1 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
222 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
71 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 72 out of 100; the rest of the number is everything around it.
108 bars, about 1:57 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 1, 5, 35, 43, 91, 99 and 1 more.