114 bars of 4/4 at 120 BPM, about 3:48 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
33 out of 100 -- a fair first song -- with how many notes a second it asks for the part that decides it.
hi-hat through bars 1-10, toms through bars 11-50, kick and crashes through bars 51-58 and toms through bars 59-114.
The beat the song is built on is one bar, played through bars 11-26, 35-50 and 59-74, and 1 more place -- 70.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
11
1e+a2e+a3e+a4e+a
SD |x-x-x-x-x-x-x-x-|
FT |x-x-x-x-x-x-x-x-|
BD |x-----------x-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
33 out of 100 -- a fair first song -- with how many notes a second it asks for the part that decides it. The beat itself is 22 out of 100; the rest of the number is everything around it.
114 bars, about 3:48 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.