256 bars of 4/4 at 144 BPM, about 7:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-3, ride through bars 4-7, hi-hat through bars 8-11, silence through bars 12-56, kick and crashes through bars 57-59 and snare through bars 60-63, and 33 more changes after that.
The beat the song is built on is one bar, played through bars 9, 65 and 67, and 19 more places -- 14.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |--------x-------|
BD |x-----x-------x-|25 fills to learn, played 47 times: bars 5, 10, 63, 70, 78, 82 and 41 more.
It cuts the song into 81 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 36 out of 100; the rest of the number is everything around it.
256 bars, about 7:23 at the written tempo. The course breaks it into 81 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 47 times: bars 5, 10, 63, 70, 78, 82 and 41 more.