209 bars of 4/4 at 136 BPM, about 6:09 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
28 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-16, hi-hat through bars 17-32, ride through bars 33-35, snare through bars 36-40, hi-hat through bars 41-45 and ride through bars 46-48, and 9 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 17-23, 25-31 and 41-45, and 5 more places -- 29.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
17 18
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----x---x---x---|x---x---x---x---|
SD |--------x-------|--------x-------|
BD |x---------------|----x-----------|17 fills to learn, played 26 times: bars 24, 32, 48, 56, 63, 64 and 20 more.
It cuts the song into 52 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
28 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
209 bars, about 6:09 at the written tempo. The course breaks it into 52 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 26 times: bars 24, 32, 48, 56, 63, 64 and 20 more.