93 bars of 4/4 at a walking 88 BPM, 4:14 of playing, on hi-hat, snare and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-37, silence through bars 38-40, hi-hat through bars 41-65, silence through bars 66-68 and hi-hat through bars 69-93.
The beat the song is built on is a 2-bar phrase, played through bars 6-10, 12-18 and 20-26, and 10 more places -- 80.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
8 9
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |------X---o-g---|g-g---X-g-g---X-|
SD |----x-------x---|----x-------x---|
BD |x-x----xx-x-----|x-x----xx-x----x|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 6 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
93 bars, about 4:14 at the written tempo. The course breaks it into 6 exercises over 2 sittings, about 28 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.