251 bars at 188 BPM -- fast, and 5:20 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
65 out of 100: demanding, mostly on how many notes a second it asks for.
toms through bar 1, hi-hat through bars 2-7, toms through bars 8-9, kick and crashes through bars 10-18, hi-hat through bars 19-34 and snare through bars 35-42, and 30 more changes after that.
The beat the song is built on is one bar, played through bars 35-41, 59-65 and 83-85, and 15 more places -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
35
1.......2.......3.......4.......
CC |x-------x-------x-------x-------|
SD |----------------x---------------|
BD |x-----------x-------x---x---x---|14 fills to learn, played 23 times: bars 26, 34, 42, 50, 58, 70 and 17 more.
It cuts the song into 73 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
188 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
65 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 41 out of 100; the rest of the number is everything around it.
251 bars, about 5:20 at the written tempo. The course breaks it into 73 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 23 times: bars 26, 34, 42, 50, 58, 70 and 17 more.