98 bars of 4/4 at 135 BPM, about 2:54 of playing, on crash, hi-hat, snare and kick.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 3-4, hi-hat through bars 5-13, kick and crashes through bars 14-17, hi-hat through bars 18-29, kick and crashes through bars 30-33 and hi-hat through bars 34-45, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 5-13, 18-29 and 34-44, and 3 more places -- 59.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
98 bars, about 2:54 at the written tempo. The course breaks it into 10 exercises over 4 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.