157 bars at 175 BPM -- fast, and 3:37 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
73 out of 100: demanding, mostly on how many notes a second it asks for.
toms through bar 1, hi-hat through bars 2-21, toms through bars 22-33, hi-hat through bars 34-39, ride through bars 40-63 and silence through bars 64-66, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 22, 24-25 and 27-28, and 4 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24
1e+a2e+a3e+a4e+a
SD |------------xxxx|
T1 |xx--x---x-------|
T2 |----xx----------|
FT |--xx--xx--------|
BD |--------xxxx----|7 fills to learn, played 33 times: bars 17, 32, 33, 47, 48, 49 and 27 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
73 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 41 out of 100; the rest of the number is everything around it.
157 bars, about 3:37 at the written tempo. The course breaks it into 46 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 33 times: bars 17, 32, 33, 47, 48, 49 and 27 more.