183 bars at 190 BPM -- fast, and 3:51 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 1-10, hi-hat through bars 11-23, snare through bars 24-70, silence through bars 71-72, snare through bars 73-76 and hi-hat through bars 77-80, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 19, 21 and 51, and 5 more places -- 10.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------X-------|
BD |xxxxxxxxxxxxxxxx|27 fills to learn, played 72 times: bars 9, 10, 18, 20, 22, 23 and 66 more.
It cuts the song into 72 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
183 bars, about 3:51 at the written tempo. The course breaks it into 72 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 72 times: bars 9, 10, 18, 20, 22, 23 and 66 more.