412 bars of 3/4 -- not four -- at 168 BPM, 7:21 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
46 out of 100, a step up from a first song, and the work is in how often it moves around the kit.
silence through bars 1-10, ride through bars 11-28, hi-hat through bars 29-41, ride through bars 42-50, silence through bars 51-53 and hi-hat through bars 54-57, and 22 more changes after that.
The beat the song is built on is one bar, played through bars 11-16, 18-24 and 26-28, and 40 more places -- 29.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
28
1e+a2e+a3e+a
RD |x-x-x-x-x-x-|
SD |------x-----|
BD |x---------x-|9 fills to learn, played 22 times: bars 25, 41, 49, 57, 69, 135 and 16 more.
It cuts the song into 56 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
168 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
46 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 36 out of 100; the rest of the number is everything around it.
412 bars, about 7:21 at the written tempo. The course breaks it into 56 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 22 times: bars 25, 41, 49, 57, 69, 135 and 16 more.