120 bars of 4/4 at 120 BPM, about 4:00 of playing, on crash, hi-hat, snare and kick.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-12, hi-hat through bars 13-61, silence through bars 62-68 and hi-hat through bars 69-120.
The beat the song is built on is one bar, played through bars 17-32, 43 and 47, and 3 more places -- 37.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
17
1.......2.......3.......4.......
CC |------------------------------x-|
HH |x-----x-x-----x-x-----x-x-----x-|
SD |--x-------x-------x-------x-----|
BD |x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
120 bars, about 4:00 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.