276 bars at 180 BPM -- fast, and 6:08 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-10, toms through bars 11-12, hi-hat through bars 13-29, ride through bars 30-35 and toms through bars 36-37, and 27 more changes after that.
The beat the song is built on is one bar, played through bars 13-28, 61-67 and 69-76, and 4 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |x---x---x---x---|
BD |xxxxxxxxxxxxxxxx|22 fills to learn, played 51 times: bars 8, 11, 12, 36, 37, 38 and 45 more.
It cuts the song into 70 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
276 bars, about 6:08 at the written tempo. The course breaks it into 70 exercises over 17 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 51 times: bars 8, 11, 12, 36, 37, 38 and 45 more.