268 bars of 4/4 at 138 BPM, about 7:19 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
67 out of 100: demanding, mostly on how much of it falls off the beat.
silence through bars 1-3, hi-hat through bars 4-9, snare through bars 10-33, hi-hat through bars 34-40, snare through bars 41-45 and ride through bars 46-49, and 33 more changes after that.
The beat the song is built on is one bar, played through bars 10-30, 37 and 41, and 6 more places -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10
1.....2.....3.....4.....
CC |x-----x-----x-----x-----|
SD |------------x-----------|
BD |xxxxxxxxxxxxxxxxxxxxxxxx|27 fills to learn, played 62 times: bars 9, 31, 32, 33, 40, 45 and 56 more.
It cuts the song into 89 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 52 out of 100; the rest of the number is everything around it.
268 bars, about 7:19 at the written tempo. The course breaks it into 89 exercises over 27 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 62 times: bars 9, 31, 32, 33, 40, 45 and 56 more.