119 bars of 4/4 at 125 BPM, about 3:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-9, snare through bars 10-17, hi-hat through bars 18-33, snare through bars 34-64, ride through bars 65-75 and hi-hat through bars 76-88, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 38-39, 42-44 and 46-47, and 6 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
81
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---x--x-x--x---|14 fills to learn, played 22 times: bars 40, 41, 45, 48, 52, 56 and 16 more.
It cuts the song into 44 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
119 bars, about 3:48 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 22 times: bars 40, 41, 45, 48, 52, 56 and 16 more.