346 bars of 3/4 -- not four -- at 93 BPM, 11:01 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-6, hi-hat through bars 7-22, ride through bars 23-38, hi-hat through bars 39-55, silence through bars 56-125 and ride through bars 126-158, and 24 more changes after that.
The beat the song is built on is one bar, played through bars 7-13, 15-21 and 39-40, and 14 more places -- 32.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7
1.......2.......3.......
CC |x-----------------------|
HH |----o---o---o---o---o---|
SD |------------x-----------|
BD |x-------x-----------x---|24 fills to learn, played 39 times: bars 6, 22, 24, 38, 90, 123 and 33 more.
It cuts the song into 74 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
93 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
346 bars, about 11:01 at the written tempo. The course breaks it into 74 exercises over 26 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 39 times: bars 6, 22, 24, 38, 90, 123 and 33 more.