334 bars of 3/4 -- not four -- at 173 BPM, 7:02 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-32, snare through bars 33-54, ride through bars 55-64, hi-hat through bars 65-70, ride through bars 71-73 and hi-hat through bars 74-78, and 23 more changes after that.
The beat the song is built on is one bar, played through bars 33-54, 79 and 81-87, and 10 more places -- 29.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
33
1e+a2e+a3e+a
CC |x-----x-----|
SD |------x-----|
BD |x-x-x-x-x-x-|16 fills to learn, played 30 times: bars 64, 76, 80, 88, 96, 116 and 24 more.
It cuts the song into 67 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
173 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
334 bars, about 7:02 at the written tempo. The course breaks it into 67 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 30 times: bars 64, 76, 80, 88, 96, 116 and 24 more.