204 bars of 4/4 at a walking 106 BPM, 7:36 of playing, on crash, hi-hat, snare, floor tom and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-14, kick and crashes through bars 15-18, snare through bars 19-26, kick and crashes through bars 27-28, hi-hat through bars 29-41 and snare through bars 42-45, and 18 more changes after that.
The beat the song is built on is one bar, played through bars 30-31, 33-35 and 37-39, and 9 more places -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
33
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---x---x--x-x--|12 fills to learn, played 32 times: bars 14, 15, 22, 26, 32, 36 and 26 more.
It cuts the song into 71 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
204 bars, about 7:36 at the written tempo. The course breaks it into 71 exercises over 20 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
12 fills to learn, played 32 times: bars 14, 15, 22, 26, 32, 36 and 26 more.