123 bars of 4/4 at 120 BPM, about 4:06 of playing, on crash, hi-hat, snare, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-24, toms through bars 25-26, hi-hat through bars 27-30, toms through bars 31-32 and hi-hat through bars 33-36, and 16 more changes after that.
The beat the song is built on is one bar, played through bars 5-22, 27-30 and 33-36, and 8 more places -- 76.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
6
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--------x-----x-|
BD |x-----x-----x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 32 out of 100; the rest of the number is everything around it.
123 bars, about 4:06 at the written tempo. The course breaks it into 10 exercises over 4 sittings, about 21 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.