70 bars of 4/4 at a walking 92 BPM, 3:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 3-24, ride through bars 25-27, hi-hat through bars 28-45, ride through bars 46-48 and hi-hat through bars 49-70.
The beat the song is built on is one bar, played through bars 3, 5 and 7, and 19 more places -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5
1...........2...........3...........4...........
CC |x-----------------------------------------------|
HH |------x-----x-----x-----x-----x-----x-----x-----|
SD |------------x--------x--------------x--------x--|
BD |x-----x--------x--------------x--------x--------|12 fills to learn, played 14 times: bars 6, 8, 22, 32, 34, 36 and 8 more.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
70 bars, about 3:03 at the written tempo. The course breaks it into 21 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 14 times: bars 6, 8, 22, 32, 34, 36 and 8 more.