915 bars, 47:49, at 72 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, kick and hi-hat foot and nothing else.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-83, silence through bars 84-142, snare through bars 143-349, silence through bars 350-373 and kick and crashes through bars 374-449, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 549-552, 555-557 and 561, and 62 more places -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
549
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-x---x---x---x-|4 fills to learn, played 22 times: bars 386, 395, 396, 397, 400, 401 and 16 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
72 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
915 bars, about 47:49 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
4 fills to learn, played 22 times: bars 386, 395, 396, 397, 400, 401 and 16 more.