106 bars of 4/4 at 150 BPM, about 2:48 of playing, on crash, ride, hi-hat, snare and kick.
77 out of 100: demanding, mostly on how many notes a second it asks for.
hi-hat through bars 1-8, snare through bars 9-17, ride through bars 18-73, hi-hat through bars 74-81, snare through bars 82-89 and hi-hat through bars 90-98, and 1 more change after that.
The beat the song is built on is one bar, played through bars 18-33, 58-60 and 62-64, and 2 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
18
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |xxxxxxxxxxxxxxxx|
BD |xxxxxxxxxxxxxxxx|4 fills to learn, played 13 times: bars 43, 45, 55, 73, 85, 99 and 7 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 63 out of 100; the rest of the number is everything around it.
106 bars, about 2:48 at the written tempo. The course breaks it into 32 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
4 fills to learn, played 13 times: bars 43, 45, 55, 73, 85, 99 and 7 more.