239 bars at 218 BPM -- fast, and 4:23 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-24, hi-hat through bars 25-40, snare through bars 41-56, hi-hat through bars 57-71, snare through bars 72-80 and hi-hat through bars 81-84, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 113-119, 121-127 and 209-215, and 1 more place -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
113
1e+a2e+a3e+a4e+a
CC |x-------x-------|
SD |--------x-------|
BD |X-X-X---X-X-X-X-|11 fills to learn, played 17 times: bars 32, 48, 56, 72, 80, 84 and 11 more.
It cuts the song into 42 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
218 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
239 bars, about 4:23 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 17 times: bars 32, 48, 56, 72, 80, 84 and 11 more.