66 bars of 4/4 at a walking 95 BPM, 2:47 of playing, on hi-hat, snare, kick and hi-hat foot.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-13, hi-hat through bars 14-21, silence through bars 22-23, hi-hat through bars 24-58, snare through bars 59-62 and hi-hat through bars 63-66.
The beat the song is built on is one bar, played through bars 14-21, 24-31 and 33-43, and 2 more places -- 79.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
14
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-----x-x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
66 bars, about 2:47 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 23 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.