92 bars of 4/4 at a walking 100 BPM, 3:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 1-18, toms through bars 19-20, ride through bars 21-24, hi-hat through bars 25-31, snare through bars 32-38 and toms through bars 39-40, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 45-47, and 5 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
25
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-------x-------|7 fills to learn, played 17 times: bars 18, 20, 24, 32, 38, 40 and 11 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
92 bars, about 3:41 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 18, 20, 24, 32, 38, 40 and 11 more.