184 bars of 4/4 at 127 BPM, about 5:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-38, ride through bars 39-40, hi-hat through bars 41-78, ride through bars 79-80, hi-hat through bars 81-101 and silence through bars 102-108, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 9-20, 45-51 and 53-59, and 5 more places -- 35.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
10
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-----xx--xx----|12 fills to learn, played 21 times: bars 40, 43, 44, 52, 60, 80 and 15 more.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
184 bars, about 5:48 at the written tempo. The course breaks it into 41 exercises over 10 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 40, 43, 44, 52, 60, 80 and 15 more.