141 bars of 4/4 at a walking 86 BPM, 6:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, ride through bars 5-16, hi-hat through bars 17-32, ride through bars 33-34, hi-hat through bars 35-39 and ride through bars 40-43, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 5-16 and 52-59 -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5
1...........2...........3...........4...........
CC |------------x-----------------------------------|
RD |------------------------x-----------x-----------|
SD |------------x-----------------------x-----------|
T1 |x-----------------------------------------------|
T2 |x-----------------------------------------------|
BD |x-----------x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-|12 fills to learn, played 32 times: bars 17, 18, 19, 20, 21, 24 and 26 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
86 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
141 bars, about 6:02 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 32 times: bars 17, 18, 19, 20, 21, 24 and 26 more.