192 bars of 4/4 at a walking 93 BPM, 8:15 of playing, on hi-hat, snare, high tom and kick.
52 out of 100, a step up from a first song, and the work is in how fine the subdivision is.
hi-hat through bars 2-75, silence through bars 76-85, hi-hat through bars 86-111, silence through bars 112-119, hi-hat through bars 120-139 and silence through bars 140-145, and 1 more change after that.
The beat the song is built on is one bar, played through bars 86-88, 109-111 and 134-138, and 2 more places -- 31.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
86
1...........2...........3...........4...........
HH |x-----x-----x-----x-----x-----x-----x-----x-----|
SD |------------------------x-----------------------|
BD |x-----------------------------------------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
93 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 20 out of 100; the rest of the number is everything around it.
192 bars, about 8:15 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 23 minutes each.
hi-hat, snare, high tom and kick. Nothing in the part asks for anything else.