399 bars at 250 BPM -- fast, and 7:58 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-16, toms through bars 17-28, kick and crashes through bars 29-32, hi-hat through bars 33-66, ride through bars 67-82 and snare through bars 83-98, and 15 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 33-38, 41-46 and 51-66, and 4 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
51 52
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |x---x---x---x---|x---x---x---x---|
SD |----x-------x---|----x-------x---|
BD |x-------x-------|x-----x---x-----|11 fills to learn, played 19 times: bars 28, 31, 39, 40, 48, 50 and 13 more.
It cuts the song into 71 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
250 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
399 bars, about 7:58 at the written tempo. The course breaks it into 71 exercises over 16 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 19 times: bars 28, 31, 39, 40, 48, 50 and 13 more.