98 bars of 6/4 -- not four -- at 92 BPM, 6:21 of playing on ride, hi-hat, snare, mid tom, floor tom and kick.
25 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-5, ride through bars 6-66 and silence through bars 67-98.
The beat the song is built on is one bar, played through bars 7-65 -- 95.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
8
1e+a2e+a3e+a4e+a5e+a6e+a
RD |x-x-x-x-x-x-x-x-x-x-x---|
HH |----------------------x-|
SD |------x-----------x-----|
BD |x-----------x-----------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 6 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
25 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
98 bars, about 6:21 at the written tempo. The course breaks it into 6 exercises over 2 sittings, about 21 minutes each.
ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.