68 bars of 4/4 at a walking 100 BPM, 2:43 of playing, on crash, ride, hi-hat, snare and kick.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-5, hi-hat through bars 6-13, ride through bars 14-23, hi-hat through bars 24-37, ride through bars 38-54 and hi-hat through bars 55-59, and 1 more change after that.
The beat the song is built on is one bar, played through bars 14-21, 38-53 and 60-67 -- 48.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
14
1e+a2e+a3e+a4e+a
CC |------------x--x|
RD |x---x---x-------|
SD |----x-------x-xx|
BD |x-x-----xx-x----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
68 bars, about 2:43 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 27 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.