77 bars of 4/4 at 138 BPM, about 2:14 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3, hi-hat through bars 4-20, snare through bars 21-32, hi-hat through bars 33-34, snare through bars 35-58 and toms through bars 59-60, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 13-18, 21-27 and 41-42, and 2 more places -- 37.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
21
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----X--X-g--X---|
BD |x---------x-----|12 fills to learn, played 19 times: bars 4, 12, 33, 34, 36, 38 and 13 more.
It cuts the song into 35 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
77 bars, about 2:14 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 19 times: bars 4, 12, 33, 34, 36, 38 and 13 more.